Metropolitan Opera conducting debut in 2021/22 season

Nathalie Stutzmann will make her Metropolitan Opera conducting debut during the 2021/22 season in Gluck’s Iphigénie en Tauride. In a production of Stephen Wadsworth, Kate Lindsey will perform the role of Iphigénie, while Etienne Dupuis will perform her brother Oreste. Nathalie will conduct all performances from September 29 running through to October 15, 2021. Click here for more details about the production.

2019/20 Artist-in-Residence with the Rotterdam Philharmonic

The Rotterdam Philharmonic Orchestra welcomes Nathalie Stutzmann as its 2019/20 Artist-in-Residence. The residency will showcase Nathalie’s multi-faced musicianship with projects as both conductor and contralto. She will perform a wide range of repertoire including Schumann, Strauss, Mozart and Bach.

Conducting debut at the BBC Proms in a Brahms, Wagner and Mozart programme

On August 7 2019, Nathalie Stutzmann makes her conducting debut at the BBC Proms, leading Brahms’ Tragic Overture, Wagner’s Prelude and Liebestod from Tristan and Isolde and Mozart’s Requiem. The performance, hosted at London’s Royal Albert Hall, will be live broadcast on BBC Radio 3 and broadcast on BBC Four August 11.

Nathalie Stutzmann appointed to the Légion d’Honneur

The Légion d’Honneur is France’s highest honours, established in 1802 by Napoleon Bonaparte.

Nathalie Stutzmann comments on her Facebook page:
“I am deeply happy and touched to have been appointed to the Légion d’Honneur this January 1, 2019.
As the Légion d’Honneur is France’s highest honours, I am particularly proud to be admitted as a conductor and singer in this order of merit founded more than two centuries ago.
This distinction is also an encouragement to always serve music with passion and share it with the greatest number.”

Jury member of the 4th Svetlanov International Conducting Competition in Paris

September 4-8, Nathalie Stutzmann will be member of the jury of the 4th Evgeny Svetlanov International Conducting Competition taking place at Paris Auditorium de Radio-France, with the Orchestre philharmonique de Radio-France. She will reunite on this occasion with her legendary conducting teacher Jorma Panula, also in the jury, alongside Alexander Vedernikov, Andrey Boreyko, Mauro Bucarelli, Gidon Kremer and Cristina Rocca. Each round of the competition will be live broadcast by France Musique and, and the final round open to the public. Winners of past competitions include Domingo Hindoyan and Robert Trevino.

For more information, please visit

Critically acclaimed performances of Mefistofele at the Chorégies d’Orange

“Le véritable maître de la soirée n’est autre que Nathalie Stutzmann, à la tête d’un Orchestre philharmonique de Radio France littéralement emporté par l’engagement de sa direction fougueuse et précise, sensible et contrastée. La contralto (qui chante toujours) devenue chef d’orchestre avec la création de son ensemble, Orfeo 55, possède en outre une belle gestuelle alliant souplesse, puissance et amplitude. Sans aucun doute le meilleur atout de cette soirée qui a porté le public au bord de l’ovation, confortant Jean-Louis Grinda dans le bien-fondé de son défi.”

“The real “master” of the evening is none other than Nathalie Stutzmann, at the head of a Radio France Philharmonic Orchestra literally carried away by the engagement of her spirited, precise, sensitive and contrasting direction. The contralto (she still sings) who became a conductor with the creation of her orchestra Orfeo 55, also has a beautiful gesture combining flexibility, power and amplitude. Undoubtedly the best asset of this evening which brought the audience to the brink of ovation, reinforcing Jean-Louis Grinda in the legitimacy of his challenge.”

Marie-Aude Roux, Le Monde


“La révélation de la soirée est pour nous sans conteste la direction de Nathalie Stutzmann, que nous voyions diriger pour la première fois. (…) la chef a tout pour elle : une technique appréciable dans une oeuvre où il faut coordonner un orchestre wagnérien, des choeurs considérables et des fanfares de coulisse, une gestuelle fluide et souple, un véritable lyrisme.”

“The revelation of the evening is without any doubt the direction of Nathalie Stutzmann, whom we saw conducting for the first time. (…) the conductor has it all: an appreciable technique in a work where it is necessary to coordinate a Wagnerian orchestra, considerable choirs and fanfares behind the scenes, a fluid and flexible gesture, a true lyricism.”

Christian Merlin, Le Figaro


See the full press review of Mefistofele at this link.