Music Director of the Atlanta Symphony Orchestra, Artistic and Music Director Designate of the Orchestre Philharmonique de Monte-Carlo

Nathalie Stutzmann is the Music Director of the Atlanta Symphony
Orchestra since 2022. From 2021 to 2024, she was Principal Guest
Conductor of The Philadelphia Orchestra and will take the helm of the
Orchestre Philharmonique de Monte-Carlo in 2026/27 becoming their
Artistic and Musical Director.

In the 2026/27 season, Nathalie Stutzmann appears as Guest Conductor
with the Staatskapelle Dresden, the Tonhalle-Orchester Zürich, the
Munich Philharmonic, the London Symphony Orchestra and the Swedish
Radio Symphony Orchestra and will make her debut at Opéra national de
Paris with Werther. Recent engagements include the Symphonieorchester
des Bayerischen Rundfunks, Royal Concertgebouw Orchestra and
Orchestre de Paris.

In the upcoming season, Nathalie Stutzmann joins forces with soloists
including Janine Jansen, Seong-Jin Cho, Beatrice Rana, Benjamin
Grosvenor and Anna Geniushene amongst others.

Following her debut at the Bayreuth Festival in 2023 with Tannhäuser, she
was subsequently named Best Conductor of the Year at the 2024 Oper! Awards.

Since then, she has firmly established herself as a major interpreter of
Wagner Operas. This past summer saw her return to the Festival at the
helm of Rienzi for its Historic premiere in the Festspielhaus.

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Bruckner: Symphony No. 4 “Romantic”

Nathalie Stutzmann’s Warner Classics Bruckner album with the Atlanta Symphony Orchestra is dedicated to Bruckner 4th Symphony “Romantic”.

Now comes the release of another symphony from the later 19th century – the Symphony No 4 by Anton Bruckner. Stutzmann finds his music particularly fulfilling: “I believe that Bruckner’s symphonies are universal,” she has said, “They represent the longing for the eternal. He leads listeners into a unique world that they would otherwise never enter.” 2024 marked Bruckner’s bicentenary and Stutzmann, in her third season as Music Director in Atlanta, made a powerful impact with several of his works in a series of sold-out concerts. “This was go-for-broke music-making, with the orchestra in top-notch form,” wrote the Atlanta-based music website EarRelevant. “Bruckner benefits from a free rein … The symphony concluded in a blaze of triumph, eliciting cheers from the audience …In short, a concert of grace and glory, a consolation and inspiration in our divisive times.”

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