Nathalie Stutzmann appointed Chief Conductor of Kristiansand Symphony Orchestra in Norway

Today, Nathalie Stutzmann has been announced as new Chief Conductor of the Kristiansand Symphony Orchestra, one of Norway’s foremost orchestras with roots back to 1919, from the beginning of the 2018/2019 season for an initial contract of three years. Nathalie conducted Kristiansand Symphony Orchestra for the first time in March 2017 in Strauss’ Tod und Verklärung […]

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New album: Quella Fiamma, Arie Antiche – Released on October 27

Order the album here: http://wnrcl.me/arieantiche The Arie Antiche compiled by Alessandro Parisotti are known to each and every student of classical singing. But with Quella Fiamma, Nathalie Stutzmann and Orfeo 55 breathe new fire into this primer for the voice, performing these songs and arias with original orchestrations, as they would have been heard in their […]

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Principal Guest Conductor debut

For her first appearance as Principal Guest Conductor of RTÉ National Symphony Orchestra of Ireland on September 29, Nathalie Stutzmann has chosen a programme consisting of Brahms’ Violin Concerto featuring Veronica Eberle as soloist, Beethoven’s Symphony No.1 and Prokofiev’s Classical Symphony. The performance will be live broadcast from Dublin National Concert Hall on RTÉ Lyric FM at 7.30pm. If Beethoven symphonies will be the focus of Nathalie’s inaugural […]

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Rotterdam Philharmonic Orchestra debut

On the heels of her “impressive conducting debut with the London Philharmonic Orchestra” (Seen and Heard International), Nathalie Stutzmann travels to the Netherlands to make her debut with the acclaimed Rotterdam Philharmonic Orchestra in three concerts April 12, 13 and 14 at de Doelen. She will lead Bach’s masterpiece St Matthew Passion with a lineup of soloists including soprano Martina […]

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London Philharmonic Orchestra debut

Nathalie Stutzmann heads to the United Kingdom to make her conducting debut with the prestigious London Philharmonic Orchestra this March 25. She’ll open her programme with Strauss’ Death and Transfiguration before being joined by Kateryna Kasper, Sara Mingardo, Robin Tritschler, Leon Kosavic and the London Philharmonic Choir for Mozart’s Requiem. In anticipation of her LPO […]

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Nathalie Stutzmann conducts Tannhäuser at Monte-Carlo Opera

This month, Nathalie Stutzmann makes her anticipated return to Monte-Carlo Opera, where she leads four performances of Richard Wagner’s Tannhäuser at the head of Monte-Carlo Philharmonic Orchestra. Nathalie debuted with the orchestra in 2014, making “a master stroke” (Forum Opéra) conducting Donizetti’s L’Elisir d’amore. Staged by Monte-Carlo Opera director Jean-Louis Grinda, this thrilling production is totally new and […]

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Nathalie Stutzmann appointed Principal Guest Conductor of RTÉ National Symphony Orchestra of Ireland

Today, Nathalie Stutzmann has been announced as new Principal Guest Conductor of RTÉ National Symphony Orchestra of Ireland based in Dublin. She will take up this position in September 2017 until May 2019. Nathalie conducted RTÉ National Symphony Orchestra for the first time last February in Wagner’s Overture to Tannhauser, Vorspiel und Liebestod and Mahler’s Des […]

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Philadelphia Orchestra debut

Nathalie Stutzmann will make her conducting debut with the Philadelphia Orchestra this Sunday in Handel’s Messiah. She will be joined by an international cast, featuring soprano Ying Fang, mezzo-soprano Angela Brower, tenor Lawrence Wiliford and baritone Stephen Powell. Described as “the performance’s star” conducting Handel’s oratorio with Washington’s National Symphony Orchestra at the Kennedy Center last year, Nathalie […]

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Nathalie Stutzmann makes world premiere in Berlin, singing and conducting a symphony orchestra at the same time

While Nathalie Stutzmann was making her conducting debut at the head of Konzerthaus Berlin symphony orchestra on June 2, conducting Schubert’s Symphony No. 4, she was asked at the last minute to jump from the podium to sing Pergolesi’s Stabat Mater with Anna Prohaska in the second part and conduct at the same time the […]

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