A fruitful partnership: Nathalie Stutzmann delivers a convincing Brahms 2 in Dublin

Backtrack | Andrew Larkin

Two things impressed me with Stutzmann’s conception of Brahms’ Symphony no. 2 in D major after the break: her super sharp rhythmic delineation and these unexpected, unforeseen moments of shy tenderness which I have never witnessed from the NSO or in the context of this piece in any other recording. The latter happened twice, towards the end of the first movement and in the Adagio second movement. In both cases it was if I was hearing the work in a new way as I was transported by the exquisite delicacy of the moment. The second movement was the highlight for me with so much to delight in: from the stillness of the cellos’ melody or the long unbroken lines of music which Stutzmann lovingly unfurled basking in the movement’s warm harmonies. None of this takes away from the carefree insouciance of the pastoral third movement or the pulsating excitement of the finale which Stutzmann took at a rollicking fast pace. All in all, it was a thoroughly convincing Brahms 2 and what has all the hallmarks of an extremely fruitful partnership between Stutzmann and the NSO for the next few years.

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